Matt Blaze's Post

This is an extraordinary collection, not just for the extraordinary subject material, but because for many of the images we have access to both Adams' final result (scans of his prints) as well as "straight" scans from the negatives. It shows how utterly essential darkroom post-processing can be to the final impact of a fine art photograph. And now you can download the scans and see what you can do with them yourself in, eg, Photoshop or Capture One.